Peter Olszowka
http://www.sophia2.somerville.ma.us homepage
TF Roles
- Arisia.HomePage Arisia? sound equipment provider: 2003 - 2007; sound crew: 2003, 2004; light crew: 2005
- FFFB sound crew and equipment provider: 2004 x2
- {{Neffa 2008}} NEFFA? sound cmte. chair and equipment provider: 2003 - 2008
- NoreasconFour N4? sound crew and equipment provider
- Zambia architect and lead developer 2006 - 2008
Gear Inventory
Mixers:
- Behringer MS2442A in case
- 16 mic channels, 4 stereo channels, 4 groups, stereo out, 2 pre/post fade auxes, 2+2 post fade auxes, 3 band EQ with sweepable mid on mic channels, extensive PFL and Solo capabilities, uses 2U rackmount power supply
- (4) JBL Music Mix 16 (Spirit E8)
- 8 mic channels; 2 stereo channels; mono and stereo out; 1 pre, 1pre/post, & 1 post aux, 3 band EQ with sweepable mid on mic channels, PFL on mics, AFL on aux sends, two stereo aux returns
Powered speakers:
- (2) Mackie SRM450
- 12” bass driver, Biamped, 450w, can take mic or line input on XLR
- (4) EV SxA 100
- 12” bass driver, Biamped, 250w, can take mic or line input on XLR & ¼”
Powered subwoofers:
- (2) Mackie SRS1500
- 15” driver, 600w, includes integrated stereo active crossover
Speaker stands (pair): Ultimate tripod stands 4’ - 7’
Mics:
- (3) EV CO-7; dynamic vocal mic; less boomy than SM-58; better pop filter
- (1) Shure SM-58; dynamic vocal mic
- (2) Shure BG3.1; dynamic vocal mic; intended as rare-earth magnet replacement for SM-58, but never became popular
- (1) Shure BG4.1; condenser instrument mic; battery or phantom; nice
- (1) AKG C1000S; condenser instrument mic; battery or phantom; nice sound, but not very directional
- (1) AT PRO-35; condenser instrument mic; phantom only; small clip on mic for instruments
- (1) AT MB 2000L; dynamic instrument mic; pretty low end
- (3) Audix f10; dynamic instrument mic; for high SPL, e.g. drum or guitar cabinet
- (1) Audix f12; dynamic instrument mic; bass drum; for high SPL
- (1) Gemini GM10/DJM-1; dynamic vocal mic with integrated 18” gooseneck; mediocre sound
- (1) AT condenser headworn mic with battery pack; model number unknown
- (2) Miscellaneous el-cheapo dynamic vocal mics
Mic stands:
- (6) Onstage folding tripod stands w/ booms; pretty low end
- (1) Ultimate folding tripod stand; can adjust height with only one hand
- (2) Simple stands w/o booms; round, weighted bases
- (4) Beat up but functional stands which actually belong to NEFFA
Wireless:
- (6) Samson UR-5 receivers; UHF, frequency agile, 1U rm
- Samson UH-5 transmitter (handheld) with Audix OM-5 capsule
- Samson UH-5 transmitter (handheld) with Shure beta87 capsule
- Samson UH-5 transmitter (handheld) with Shure SM58? capsule
- Samson UH-5 transmitter (handheld) with Shure EV capsule
- (3) Samson UT-5 transmitters (beltpack)
- lavalier mic for beltpack
- instrument adaptor for beltpack
Graphic EQ: Samson stereo 31 band; 2U rm
Parametric EQ:
- Symetrix SX-201 3 band; 1/2 U
- Alesis Micro EQ 3 band; 1/3 U
Reverb:
- Alesis nanoverb; stereo; 1/3 U; lacks rack adaptor
- Lexicon MPX-100; 2 ch; also includes pitch effects; 1U rm
DSP:
- Behringer Feedback Killer Pro; two channel; can function as 2ch x 12 band parametric EQ; 1U rm (AWOL)
- Sabine PowerQ ADF-4000; two channel; FBX, EQ, Auto room EQ, Delay, Expander/Gate, Compressor/Limiter; 2U rm; w/ Behringer omni reference mic
- Vocal Processor (Actually belongs to Kiran)
Compressor: (2 units) Alesis 3630 2 ch. compressor/gate; 1U rm
Racks
- 6U case with wheels
- 6U case – for wireless
- 3U shallow rack case
- 2U with soft case
Stage snake: 8 XLR x 30’
Patch snakes:
- (2) 8 ch. TR
- (1) 4 ch. TRS to 2 TR (insert)
DI Boxes:
- (3) passive with parallel TR’s, GND lift, variable pad
- (2) passive with parallel TR’s, GND lift
- (2) active with parallel TR’s, GND lift, variable pad
Several of these DI's are broken or AWOL
Many, many cables, adaptors, and connectors